The Come Down - NEW EP!
We featured The Come Down a while back, so when they dropped us a line letting us know about their spanking new EP, I was looking forward to checking things out to see how they were getting on! Thinking back to the last time we checked them out, we were blown away by their ability to craft punk that could connect with the audience, the sort of thing you want to see on the live scene – so what of the new EP and their sound?
Opening with All Over Now we’re launched straight back into that punky approach which made them so memorable the first time we checked them out, balancing the distortion with a sense of melody to craft a sound which people will connect with from the word go. Upbeat but firmly rooted in emotion, this track sets things in motion with aplomb, immediately setting the scene for the rest of the EP and letting us know that we’re once again in for a hell of a ride. She Said once again continues this approach, crafting a sound akin to a punkier version of Jimmy Eat World designed to pull you in and keep you listening. There’s a real raw quality to the recording here, allowing the track to be the sort of thing which actually represents the sound of the band, rather than a studio crafting something digitally. Even managing to throw a catchy edge into things, this track is another one which is sure to work well on the live scene, getting people singing along and begging for more.
Glamour Has Gone comes up next and continues the catchy approach of things, once again launching us into a track which is sure to have you singing along and joining in within moments. The rawness of the recording here is key once again, it’s like sitting and listening to the band playing live meaning you get to hear everything that’s going on, it’s balanced and well mixed and simply shows us what’s on offer – which surely has to be the point when it comes to EP’s like this?! Take Me With You marks a slight change in the progression of things, this time launching us into a more upbeat melee of hammering elements, offering up more distortion and punch designed to hammer the track home. This is my personal favourite off of the EP, there’s just something about this track which gets you moving, combining the hammering drums with distorted guitar lines and layered vocals, showing off the strength in the band as well as the punk roots which influence their style.
Ballad Of A Cheating Heart once again marks a change in the style, launching us into another heavier track designed to get pits moving from the off. Once again combining the heavy approach with emotionally charged lyrics, offering up a sound which is sure to get people moving as well as lyrics which are sure to connect with those who hear it. There’s an anthemic quality to things going on here as well, the sort of thing which has single potential, as well as the potential to hook people onto the sound. It’s only left then to close the EP with It’s Me Who’s Mad, finishing on a more restrained note packed with acoustic guitar lines and soaring vocal lines. Finishing with a softer track is always going to be a risk on an EP, especially when there’s been powerful tracks leading up to it throughout, but luckily the band manage to combine the soft and hard, almost as a final display of what they can do. Combining the soft guitars with a hammering chorus section, the closing moments of this EP finish this one off, but open the door for what’s going to come next, something I’ll be interested to see for sure.
The Come Down are one of those bands who have developed their style as they’ve gone whilst still managing to keep focused on their overall aim with music. The result is a sound which is powerful and firmly rooted in punk, but with an accessible edge that people will connect with. Definitely a band to be keeping an eye on as personally, I think that they’re going to find their full power on the live scene – something I need to check out for sure.
To find out more about The Come Down, check out their Facebook page HERE.
Words: Dave Nicholls
Opening with All Over Now we’re launched straight back into that punky approach which made them so memorable the first time we checked them out, balancing the distortion with a sense of melody to craft a sound which people will connect with from the word go. Upbeat but firmly rooted in emotion, this track sets things in motion with aplomb, immediately setting the scene for the rest of the EP and letting us know that we’re once again in for a hell of a ride. She Said once again continues this approach, crafting a sound akin to a punkier version of Jimmy Eat World designed to pull you in and keep you listening. There’s a real raw quality to the recording here, allowing the track to be the sort of thing which actually represents the sound of the band, rather than a studio crafting something digitally. Even managing to throw a catchy edge into things, this track is another one which is sure to work well on the live scene, getting people singing along and begging for more.
Glamour Has Gone comes up next and continues the catchy approach of things, once again launching us into a track which is sure to have you singing along and joining in within moments. The rawness of the recording here is key once again, it’s like sitting and listening to the band playing live meaning you get to hear everything that’s going on, it’s balanced and well mixed and simply shows us what’s on offer – which surely has to be the point when it comes to EP’s like this?! Take Me With You marks a slight change in the progression of things, this time launching us into a more upbeat melee of hammering elements, offering up more distortion and punch designed to hammer the track home. This is my personal favourite off of the EP, there’s just something about this track which gets you moving, combining the hammering drums with distorted guitar lines and layered vocals, showing off the strength in the band as well as the punk roots which influence their style.
Ballad Of A Cheating Heart once again marks a change in the style, launching us into another heavier track designed to get pits moving from the off. Once again combining the heavy approach with emotionally charged lyrics, offering up a sound which is sure to get people moving as well as lyrics which are sure to connect with those who hear it. There’s an anthemic quality to things going on here as well, the sort of thing which has single potential, as well as the potential to hook people onto the sound. It’s only left then to close the EP with It’s Me Who’s Mad, finishing on a more restrained note packed with acoustic guitar lines and soaring vocal lines. Finishing with a softer track is always going to be a risk on an EP, especially when there’s been powerful tracks leading up to it throughout, but luckily the band manage to combine the soft and hard, almost as a final display of what they can do. Combining the soft guitars with a hammering chorus section, the closing moments of this EP finish this one off, but open the door for what’s going to come next, something I’ll be interested to see for sure.
The Come Down are one of those bands who have developed their style as they’ve gone whilst still managing to keep focused on their overall aim with music. The result is a sound which is powerful and firmly rooted in punk, but with an accessible edge that people will connect with. Definitely a band to be keeping an eye on as personally, I think that they’re going to find their full power on the live scene – something I need to check out for sure.
To find out more about The Come Down, check out their Facebook page HERE.
Words: Dave Nicholls
The Come Down
These three chaps are currently located in Bradford. Having formed when their five piece band split up, the guys play their music influenced by bands such as Blink 182, Smashing Pumpkins and Iron Maiden. Their addictive Punk Rock style has attracted a modest following on Facebook so was I looking forward to hearing the goods.
All Boxed In has an all action start, there’s no introductions just a wave of drum, guitar and lyrics! There’s a hostile, solid drum beat you can attach yourself to and there’s a real Punk Rock feel to the vocals, I’d loved to have listened to this track live as I think it could be awesome. The track hurtles along at an unforgiving tempo before completely slowing the guitar riff down along with the vocals. I loved the variation and thought that it blends really well with the track as a whole. The length is spot on, keeping your mind engaged for entirety to me this is just how Punk Rock should sound like.
Gone Too Long was the second track the guys sent through to us at Loud-Stuff. In contrast to 'All Boxed In' we are met with a bubbly, rolling drum beat, that’s a constant all the way through the track. I had a real feeling of Blink 182 when listening to this track; this would have fitted in perfectly with the tracks in the album, Dude Ranch. The vocals sound very raw and untampered with, giving the track an added dimension which I enjoyed. The guitar riffs are catchy and bouncy; the lyrics get slightly repetitive meaning you can either start to follow along or start to wish the track would end. Personally I think everyone needs a bit of repetitiveness in their lives!
The third track, I Wish I Was That Invisible again starts with the same addictive rolling drum solo, similar to Gone Too Long. The vocals and guitars kick in at the same time. I love the dynamics of all the tracks, loved the midsection where it’s just guitar riffs and pounding drum beats on show. The vocals compliment the instruments perfectly, giving the track another layer on an already accomplished track. The pace is pretty ferocious all the way through and is a typical foot tapping, head nodding Punk Rock anthem.
Out Of View was the fourth and final track that I got my greedy little paws on. After hearing the first three tracks I was more than confident the final one would follow the same trend and keep the smile on my face. It did! There’s a noticeable darker bass line in this track, reiterating the fact the guys can mix it up a bit. The vocals also sound slightly heavier, more standard rock, this works well considering the nature of the track. There’s a solid but fairly basic ending to which you would more likely see on a Punk Rock track.
Overall I was very impressed with the band. Not just because I’m a self-confessed Punk rock lover, but because I feel many more people besides me would agree! There are two vocalists in the band that work well with the style they play, loved the drumming, and loved the guitar work. I'm keen to hear more from these guys and perhaps even see them live one day!
To find out more about The Come Down, check out their Facebook page HERE.
All Boxed In has an all action start, there’s no introductions just a wave of drum, guitar and lyrics! There’s a hostile, solid drum beat you can attach yourself to and there’s a real Punk Rock feel to the vocals, I’d loved to have listened to this track live as I think it could be awesome. The track hurtles along at an unforgiving tempo before completely slowing the guitar riff down along with the vocals. I loved the variation and thought that it blends really well with the track as a whole. The length is spot on, keeping your mind engaged for entirety to me this is just how Punk Rock should sound like.
Gone Too Long was the second track the guys sent through to us at Loud-Stuff. In contrast to 'All Boxed In' we are met with a bubbly, rolling drum beat, that’s a constant all the way through the track. I had a real feeling of Blink 182 when listening to this track; this would have fitted in perfectly with the tracks in the album, Dude Ranch. The vocals sound very raw and untampered with, giving the track an added dimension which I enjoyed. The guitar riffs are catchy and bouncy; the lyrics get slightly repetitive meaning you can either start to follow along or start to wish the track would end. Personally I think everyone needs a bit of repetitiveness in their lives!
The third track, I Wish I Was That Invisible again starts with the same addictive rolling drum solo, similar to Gone Too Long. The vocals and guitars kick in at the same time. I love the dynamics of all the tracks, loved the midsection where it’s just guitar riffs and pounding drum beats on show. The vocals compliment the instruments perfectly, giving the track another layer on an already accomplished track. The pace is pretty ferocious all the way through and is a typical foot tapping, head nodding Punk Rock anthem.
Out Of View was the fourth and final track that I got my greedy little paws on. After hearing the first three tracks I was more than confident the final one would follow the same trend and keep the smile on my face. It did! There’s a noticeable darker bass line in this track, reiterating the fact the guys can mix it up a bit. The vocals also sound slightly heavier, more standard rock, this works well considering the nature of the track. There’s a solid but fairly basic ending to which you would more likely see on a Punk Rock track.
Overall I was very impressed with the band. Not just because I’m a self-confessed Punk rock lover, but because I feel many more people besides me would agree! There are two vocalists in the band that work well with the style they play, loved the drumming, and loved the guitar work. I'm keen to hear more from these guys and perhaps even see them live one day!
To find out more about The Come Down, check out their Facebook page HERE.